Ian McEwan’s novels are as diverse as his upbringing. Born in Hampshire in 1948, his childhood was a transient one, spent moving between east Asia, Germany and north Africa, following his father’s military postings. His similarly wide-roaming career has positioned him as one of Britain’s foremost literary voices.
Whether penning eerie psychodramas or delicately wrought period pieces, what unites McEwan’s novels is an unerring curiosity about people. Whether the book’s key concern is personal or political, it is the intimate interpersonal relationships that provide their emotional core.
McEwan’s career began with a penchant for the gothic. His first two novels The Cement Garden (1978) and The Comfort of Strangers (1981) were released to uneasy admiration, with critic John Krewson describing the former as being “beautiful but disturbing”. Subsequent works went on to stray from this generic darkness and, in doing so, found a wider readership. After the divisive release of The Child In Time (1987), an unusual tale of time travel, cold-war era romance The Innocent (1990) was met with near-unanimous critical praise.
It was his 1998 novel, Amsterdam, that marked a true popular breakthrough. The tale of love and death won him the Booker Prize, with critics praising its “sardonic and wise examination of the morals and culture of our time.”
A popular candidate for adaptation, McEwan’s works have frequently been seen on screen. Joe Wright’s 2007 film Atonement, adapted from McEwan’s 2001 novel of the same name brings to life a confusion of sexuality, war and guilt, replicating the author’s ability to vividly capture a moment frozen in time and imbue it with sizzling heat.
More recently, Man-Booker prize shortlisted On Chesil Beach (2007) was adapted into a 2017 film starring Saoirse Ronan. Once again McEwan’s meditations on desire in a repressive society of the past are proven to have a continuing contemporary appeal. This reliable appetite to see McEwan’s work reinvented speaks to his continued appeal to diverse audiences.
With the ability to wheedle his way to the emotional heart of any story, regardless of how convoluted, McEwan brings his readers into an unfamiliar situation only to find relatable humanity.
These titles are also available to loan through our eBooks app, BorrowBox.
John Coughlan CBE, who retired as Hampshire County Council’s Chief Executive last month, talks about his reading loves and recommendations as well as his vision for Hampshire’s libraries.
This blog post is taken from a longer conversation with Emma Noyce, head of Hampshire Libraries, which is available here.
I’m an English graduate, so I’m a reader by background. I love literacy, I love literature and I love books: I’ve kept reading since my university days. But I have to admit, particularly in the last three or four years, I’ve found it harder and harder so I’m very much looking forward to getting some time to read now as I retire.
Middle England by Jonathan Coe was a holiday read last year. It’s fantastic, highly comic, but also a state-of-the-nation novel. Jonathan Coe is a Brummie contemporary of mine, he went to St Philip’s School in Birmingham and I went to a Catholic grammar school not far away. When I first read The Rotters Club, which is about a group of the kids at St Philip’s school, I could recognise the streets, I could recognise the jobs the parents are doing, and recognise the pubs that they go to. I can hear his accent: posh Brummie a bit like mine, like sanded down Brummie. Since then, I’ve always liked returning to Jonathan Coe.
I’m not a political reader, per se. For me, the best literature is laced in metaphor, where you can read things into it. Charles Dickens is highly politicised, but in very well disguised ways. I love Dickens: I love his humour. I know it’s laced with sentimentality but that’s because he was a jobbing writer: he managed to put all his politics into material that was being read avidly on a monthly basis by a population who would queue at paper stands to buy his chapters. For me, Dickens just stands apart: a remarkable writer and person. I’d pick Bleak House as a particular favourite with its two major themes of child poverty and a legal system gone mad, and also Our Mutual Friend, partly because there’s a character who’s in the waste business: my dad was a dustman, so I always related to that.
Another favourite of mine is John le Carré. I first read Tinker, Tailor, Soldier, Spy when I was doing a serious and difficult staff investigation. It was one of those professional turning points, which we all have, when you decide where your career is going and what side you are on. The thing about Tinker, Tailor, Soldier, Spy, and most of le Carré, is that while they’re obviously really well-crafted spy stories, they’re also profound social commentaries. Tinker Tailor is a commentary on post-war, post-empire England. But for me, it’s also a tremendous management text because it makes you think deeply about how organisations take decisions and how you challenge those decisions if they happen to be wrong. It also talks deeply about issues of loyalty and betrayal, and the causes of betrayal and the nature of betrayal. It’s astonishing. I go back to it every year or two.
A non-fiction book, Susan Brownmiller’s Against Our Will, is one of those books that was a ‘moment-changing’ read of my life. It’s astonishingly difficult to read – it’s a history of rape – but brilliantly put together and unarguable. I think boys should be made to read it.
Irish roots, Irish stories
It is ridiculous how many astonishing authors have come from recent and modern Ireland. I’m one of the few people I know that have read Ulysses properly: but I did it because it was on my curriculum. It’s an extraordinary read and one I’d like to return to in retirement.
My parents came to England when they were teenagers. They ran away to get work at the time when there was a depression in Ireland. For them, the word ‘home’ referred to somewhere else. So one of one my choices would be Brooklyn by Colm Tóibín. It was made into a wonderful film but the book, as ever, is even better than the film.
Prose writing among this group of Irish writers is subtle, gentle and pointed: you suddenly realise you’ve been hit hard without knowing it simply by a passage describing a scene, or a journey, or a conversation. Tóibín, for me, is probably one of the masters of that. The narrative of Brooklyn is very simple but hugely meaningful. It’s the story of a young woman who goes to live in America, a classic part of the Irish diaspora. And I relate to it because the woman is a bit like my mum. She went in different circumstances and for different reason but there’s that same sense of losing your family to go abroad and how the traditional parts of Irish culture butt against modern culture. It’s just beautifully, beautifully written.
William Trevor is another Irish writer, a Cork man, where my mum was from. He was a prolific author with a fantastic prose style, who tended to write about England and Englishness as an observer in his earlier novels but then went back into themes of how Ireland was changing as independence came in his later work. He deals with the harsh underbelly of people and places and it can be quite disturbing when he gets to work with his scalpel. Love and Summer is poignant and at times, challenging; it’s a love story and very different from some of his earlier work. One of the reasons I love it is because it’s a thriller: it becomes a page turner from having been this very elegiac, gentle narrative about rural Ireland.
BookTrust and children’s literacy
I’m Chair of Trustees for an organisation called BookTrust, which is a children’s reading charity which works nationally as a universal book gifting service, working with Hampshire County Council and with every other local authority, providing free books to different age groups of children.
As my children’s book choice, I’m picking Winnie the Witch by Valerie Thomas because it was one of those books that my children kept asking us to read again and again. I don’t know how many times we read it. It’s a great story about a witch who abuses a cat by changing its colour too often, but I won’t spoil the ending for you. It’s an absolute page turner.
The future of libraries
I think libraries are wonderful and I think they are huge assets to communities and to places. But in a modern society, libraries have to modernise too. I believe deeply in the physical book: whether a picture book or a written book, they’re remarkable things, tactile objects. Having a community resource of books where people know they can go is hugely important.
If we want to have libraries as vibrant, real places that people can trust, then we’ve got to make them relevant, we’ve got to make them used, and we’ve got to make sure that they can keep pace with their own viability. If the library service is serious about itself, it must continue to modernise. Protecting our libraries as buildings in corners of streets is not protecting our libraries as viable, important community resources that are going to be meaningful. We have to keep looking at what the future is going to hold, because otherwise you won’t create libraries, you’ll create unused museums of books. And that’s not what they should be for. They should be vibrant places that people use and go to.
Are you an avid reader? Keen to be inspired for your next book? You’ll love our new podcast series which is free to download and subscribe. You’ll find two episodes to download straightaway which feature interviews with Shetland and Vera author Ann Cleeves and AGA-saga queen Joanna Trollope. You’ll also hear book recommendations from our library staff at Chandlers Ford and Fareham. Our hosts Kate and Mary are both keen book lovers who’ve worked for Hampshire County Council for more years than they’d care to admit.
Here’s links to the books discussed in each episode:
Island Life In this episode, our hosts Kate Price McCarthy and Mary Stone talk to Ann Cleeves about her latest and, can we bear it, last Shetland book, Wild Fire. Ann also gives us the lowdown on her upcoming book The Long Call, the first in her new Two Rivers series.
Match Fit In this episode, our hosts Kate Price McCarthy and Mary Stone talk to Joanna Trollope about her latest and twenty-first book, An Unsuitable Match, which vividly depicts the family tensions and dilemmas caused by love in later life. Joanna also talks about her updated version of Sense and Sensibility published as part of the Austen Project in 2013.